Charles Aston, a rare book librarian from Pitt, who was a friend of my family as far back as I can remember, told me university politics are the scummiest there are. One of the things that goes around is that researchers take the credit for the work of their help.  I don't expect to be treated differently when it comes to people misusing my work, but I thought I'd put out there the idea of the dissertation that, if I was well, I would be pursuing. And the idea is based on building blocks of understanding how these things fit together.

          One building block pertains to the way that I've been used, which is one of the reasons why somebody else is going to have to do this, because they've tortured me and I'm very old and they've put a curse on me. The tape will self-destruct style, but it has to do with humanism and the way that they cast humanism as an idea that is so far outside the framework of America's acceptance that, to them, you have the right to kill it by abnormal means through the Draft Board services and secret union cults, fraternities and so on.  The way they locate me in that is to look at my father's writings, to look at Franklin Graham’s mutterings about humanism, Reagan’s bizarre hostility, and look at people like Roger Waters, whose movement hates schools, despises them. So you get this Royal Family entourage, clique, who are an alliance. Billy Graham was friends with Queen Elizabeth.  Peter Gabriel was married to the daughter of Her Lord Secretary. So you get this clique of people who see humanism as worse than the Italian devil. The devil's workshop, then, is public education, busing, integration and so on. And you have this Pope impersonator, sniveling like an English named Gregory Karl, illuminating us as to the whereabouts of the people who are “impinging on the persona’s experience”, as he calls it. And this is one of the building blocks of the situation. The challenge of Martin Luther King being transferred to a deaf child who's been battered:  Horrifically abused, tortured, dragged through glass is one of the nicer things and gas a traumatized child, force-fed nerve agents come up with by forensic Zionists like Cyril Wecht and Bernard Wattenmaker of Attica Psychiatry and left on his own basically. And they did this to this child to study what Pope Karl impinges to be the content of the Queerball’s character.

          Remember King's famous line about the content of the character? Of course, their characters are so far North that they come up from the South. But one of the most important books I found is Hollywood, Mecca of the Movies, because it has some things about Blaise Cendrars.

        One of the building blocks in this is to look at the time frame that I grew up in. You're dealing with the Vietnam War. And one of the things that I noticed didn't come out in the social clubs that were anti-war was that France was Vichy France. They were allies of the Japanese.  You have these films like John Wayne, the weirdest movie ever made is the Green Berets, has this opening with this Marine singing in German. So the Axis backstab is pretty loud and clear. You know, John Wayne was photographed with Lee Oswald at one point. So... 

       Now, Cendrars, if you look at how I found the super story, the image between the frames that you don't see goes by too fast. The U.S. over a swastika with a bust of Hitler and Reagan sitting there with Errol Flint where it says, rather us. You get the idea of the way they inserted what they're meaning in this sliding drawer operation from Hollywood.  Seattle has this worship of tokens.

They want to enrich celebrity Green Party representatives of race and clique and ideology. And they're all dancing to the drummer of Ronald Reagan the way Kamala Harris did and Joe Biden did. They're not progressives in the least. You can see that from the way they helped set up Gaza.

Now they're claiming credit for pity because Macklemore puts on a show, passing a magic penny collection dish for Roger Waters' investment in the future flag of Palestine. I mean, it's celebrity hocus pocus at the Genocide Workshop. It's (just licke) Reagan and McCartney had this girl named Gail Burstyn who said, “ain't it weird how all I wanted to say has already been written?”  Understand what flux is. It's a recurrent image or the recurrent expression of it.  They got me to apologize to the Dakota by saying, I'm sorry. I'm sorry. Neurohypnotically over and over while they set up Gaza.

So that's what Seattle was doing. And this is called fluxus. It's mental abuse. It's neurohypnotic mental abuse. The power of suggestion to motivate somebody to break down in tears, a nervous breakdown. Of course, they added a nerve agent to get this done. And they said I was a white, so the blacks didn't like me.

        They wouldn't let me go to school because if I had succeeded, it would have been interfering with the rule that they had stereotyped in the shop for me to play. And this traces back to a movement in cinema who were manipulating the media. Blaise Cendrars in Hollywood, the Mecca of the Movies he describes the intersectionalities of time and travel involved in an audience going to a movie theater. And it's like a mysterious Chinese desk of sliding hidden drawers, how the relationship of this promenade to Mecca interacts with the reality in the real world, you see, because if you read Monash University's description of the lines and cubism, The lines and planes, half solid, half disappearing, and so on. It's really good language. It's a gifted read. It's nothing I can reproduce off the top of my head. Trying to get better at it. But this inner action of lines and planes has direct parallels in what Cendrars evokes in his occult mysteries of Hollywood.  He was an important person. He was credited with inspiring the editing techniques of Sergei Eisenstein's Battleship Potemkin. I found him in the Index of a Cubism book. So when you look at it, I was trying to source the three mirrors I found in international film cartel semiotics. You will recall the three mirrors were: Kennedy being killed over Hiroshima, Two virgins' pussy ball clocked to the AIDS attack, limning an ark of colors in defense of the institution of marriage. And three, John Lennon's Houdini in the name of the spirit of Lazarus Casper the Friendly Ghost, also known as the Walrus, Adolf Hitler's escaped to Argentina, the spirit foundation that led to the Swami Nostra, where behind the scenes this occult media Clique, who pulled Lennon's Houdini, put on a storm and lightning show to get the queers through the passage over the hurdle. And while I was warning and trying to stop people from putting themselves at risk and from allying with this group,

          Seattle was bragging or building momentum by the alliance with the script for what became the destruction of Gaza. If you don't see that the meaning behind the rave attack is symbolic, you'll never understand anything. Literally nothing. It wasn’t the Alamo of the Arab Spring, it was the punishment from Egypt, a gloat for Israel.  So one of the secrets in this crowd goes back to the Harlem Renaissance.

          The Harlem Renaissance in 1920 had offshoots and bypasses of the Gurdjieff kluk. And in the 1920s, the era of the Great Dictators was on the horizon, but you could still... Associate Italy and Mussolini with the alliance with Britain from World War I. So Edward was pretty smooth in coming to New York and saying, the Church of England will control Hollywood. 

         The era of the Grand Central Station going up, saw this era where you had Picasso doing sets for Stravinsky's Rite of Spring.  Cendrars worked on both sides of the cinema field between the Axis and the Allies. There were two versions of his book, L’or.

        It's important to see that when Daighalev was introducing these people to one another, Introducing D’Annuncio to Sarah Barnhart, for example. And back in Fiume, D’enoncio was introducing Mussolini to D.W. Griffith. Houdini was in the White House with Woodrow Wilson and this idea for a fourth dimensional Superman came from Ouspenski  Landed on all of their desks and disappeared into the  Room behind the revolving bookshelf. Where did it go? They adopted it, is where it went. Disney, Sergei Eisenstein, D.W. Griffith adopted the plan to have a Houdini, a grand spectacle. They called it a super production. When I detected the mirrors, I was using the term super story, but they talk about the super production as a functional apocalypse in a source I found from 1919, Orage’s New Age. So, you have this crowd who was projecting from the Italian futurists into the future. You might have heard of Allen Dulles who put Cecil B. DeMille, the biblicist in charge of Radio Free Europe. The idea was to have this fourth dimensional Superman. in a book called Larinovsky, I guess. There's a chapter on Ouspenski's fourth dimensional Superman, which a clerk at UW-Tacoma helped me find. It traces back to Fiume, which was a counterfeiting den. So the great dictators, the Hollywood studio system, and this idea of a fourth-dimensional intelligence.

         It's clearly established that Lennon was in on it. They did not kill him. He was in on it. He may even still be alive. He wasn't really killed. But they planned their investment so that they could have this broken record going about could have saved John Lennon, could have saved John Lennon,

skipping back and forth, broken record playing, skipping in the groove. To allow for them to basically advertise and celebrate that they pulled this off. Which is what the evidence shows they did. I have a room full of evidence. It shows that that's what they did. Gail Burstyn's likeness is playing violin in Seattle Center in a 20-foot-tall mural, which maybe they've taken down finally. So these are the issues in two virgins of Pussy Ball. It comes down to the baseball diamond. It's the shape of a fan. You know, the second base, you go three strikes, three X's, XXX, XXX, and you're out. And the diamond symbolizes marriage, two versions, stealing second.  And these people are doofus parochials who actually did this in.  Harlem in the 1920s shows you the origins of the Guerilla Theater. If you study Woodson and Toomer and Zora Neale Hurston's involvement in the Gurdjieff kluk, you begin to see how Blaise Sanders began to manipulate the idea, and you really do have to study what Cendrars did in literature to mirror the potentials of cinema. Show how he used some reality And then veered off into entertainment. And then introduced entertainment into reality and had this sort of shape-shifting Ouspensky octopus that they think of as a Mecca, which is Hollywood.  An inside circle pulling strings claiming they understand the mysteries of mass Ideas of reality and manipulating those matters. It's usurpation of public education. My father was in the Foundations of Education because they're trying to keep people in the dark. They're hypnography. So what I'm doing is showing how you can get the basic building blocks of the idea

into dissertation format so that they at least don't get away with hiding behind their “spinning mirror”, as they like to put it, hiding behind their mirror.

         With Ono’s cloak and dagger show, backblade honed to the max, firmly installation with Geffen Corporation hu sponsored Obama ~ Oct. 7th will forever maddeningly be a milestone and International holiday in Sandbaggra La where sandbaggers like Caitlin Johnstone would have you believe the treachery of the Islamofascists was the Alamo of Arab Spring, that they did it for Texas Queers and that the Freedom Flotilla is a Seattle Black Panther lunch program. Calculated to make you giddy, how the perpetrators laugh.  If you don't see that the meaning behind the rave attack is symbolic, you'll never understand anything. Literally nothing. It wasn’t the Alamo of Arab Spring, it was the punishment from Egypt, a gloat for Israel whose attache Gail Burstyn got away with the help of Peter Sinfield, building momentum for renewal of holocaust measures with Sinwar.

      Ringo Starr has never tried to hide that bigotry is his driver.  He and Obama worked out, through Hollywood ,a political correctness explanation that is unworkable as far as the facts but it battles its way into prominence like a Pachinko game the silver ball bounces off the flippers and the bumpers on its way down it starts at the '60s tension between the left and right and the way that Lennon and Reagan position themselves ias separate but equal meters of the left and the right so that in a plan where Reagan kills JFK and then released the AIDS attack killing Lennon would be symbolic but they foiled this idea by also plotting to shoot Reagan so that Ringo came to Reagan's defense with Ono, Cornel West, Fripp and Oliver Stone and created a union under the Clinton package of support for Reagan against the victim of something that they kept very secret as though it never really happened so that they could say that the problem was that Lennon's life was at risk and Jimmy Curry didn't realize that he was being some in this replacement token for Human Sacrifice purposes in a political Espionage ring that requires them to side behind those who released AIDS; what makes this unworkable is the fact that Reagan's attorneys for Mt Desert Island, where the real issue was Illustrated, were using entrapment as part of the AIDS attack and it's pussy ball operation favoring Obama by race structurerd spoils aegument, (Telltale Clip) they had me in DC the day Reagan claims he was shot and they gave me a Hollywood brochure that said there's no such thing as objective reality only what the jewry believes and then we find that the script writer is on their team so it raises the question of whether Lennon was in on it and that they staged these attacks to give themselves a license to Kill and change the subject from mass murder to the issue of celebrity victimization.  Pursuing this central idea of holy war martyrdom is how Ringo built momentum for the supernova sandwich.