There is something about the way that the Kennedy assassination has never been resolved that has about it something of an overtone which communicates that it was a final solution. We're stuck with the idea that people would rather not know what really happened:  They'd rather not be responsible for disentangling lines of control that allowed the cronies of military capitalism

to enrich themselves, turning Asian and African societies and now Arabian societies into slaughterhouses. Of course, we did quite a job in Latin America in the 80s. But new vintage folklore has been invented. It's a while away the happy hours discussing the tawdry plot, Octopus style. Octopus is what they call the railroad industry when they threw people off their land.

Much as they're now using databases to throw people out of their water supplies. Happy hour stories like MKUltra, which must stand for Mind Kampf Ultra Secret. And they all lead to the same unplugged wall socket that Kennedy's assassination leads to. 

         Pretend that you have some sort of lurid comprehension. That the army was behind the drug traffic.  That the CIA and Bush were behind Woodstock, which was up near West Point, New York. And that Hair, Broadway musical, was put together as a Dionysian self-destruction. Probably by the hidden hands of Godspell and Mr. Rogers. You can open some doors to history with these vintage folklore routines. For example, Fiume.

      After World War I, Britain and Italy were allies in World War I, Fiume became a contested sovereignty zone between Habsburg, Croatia, and Italy. Not Italy proper, but Italian heroes like Gabriel D’annuncio, an aviator from World War I, a famous poet. They went there to struggle for domination. It was a counterfeiting den.  All of the sides beefed up their currency with counterfeit. And it was often compared to Woodstock and in the Italian fascist movement, because Denunzio inspired Mussolini, and was on good terms with D.W. Griffith. Griffith, the epic cinema filmmaker, racist man from Hollywood, met up with Mussolini through Denunzio. In a place called Fiume that was compared to Woodstock.

       So the Dionysian self-destruct system was built into the zone that was a counterfeiting den. Now Gabriel d’annuncio was considered to be one of the great heroes aviating in World War I because he was a daredevil. He didn't seem to fear death. And he believed in reincarnation.

That it would be just like starting over. And this theme was a trick. It spanned to the Kennedy assassination. You can solve the problem only by the Houdini tricks of Pentagon Disney, by acknowledging the evidence that Lennon was fascinated with the idea of stepping out and pretending that he had died, which was in their semiotic super story from the very beginning. But of course you're not allowed to say that. It's not entertained in the parlour tricks of conversation whereby happy hours pass with these vintage folklore routines. 

        Hollywood had everything to do with MK Ultra and Woodstock. Society was being hustled by drug traffickers. A man named Donald where I lived. Ronald and Casper, were dangerous violent attackers. Clockwork Orange was played with fieldwork; and it was supposed to connect you up with the reality of life in America. As if that's the way that it is and how you're supposed to do it. Hollywood was double-timing a vicious underworld action. Lennon was a victim when he was masked. He came up with the perfect final solution.